Design Ideas

The Lure of the Louvre

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If Sally and I had tickets to fly to Paris for the Holidays this year, we would go in a minute. Sadly we do not… If we were, we would plan another visit to the Louvre. It’s collections are so vast, it is impossible to see them all in a day. My guess it would take a week. During our stay, Sally and I mapped out a day, planning to spend the  bulk of our time in the Richelieu wing taking in it’s architecture and details. As I have mentioned in previous posts, my feeling is that French architecture and details of the 17th and 18th century are very different from our English Heritage.

This room pretty much sums it up visually.

Louvre room pan; photographer John Kelsey

louvre rm 4; photographer John Kelsey

 I’ll focus on the paneled walls in this post. There are three different trim profiles! On the left, trim #1 below wainscot and above wainscot. Smaller, more delicate, it is used to frame the larger decorative wall panels.

Louvre detail 6; photographer John Kelsey

Close up of trim # 1. Notice how paint is used to help define/reinforce the inner raised panel.

Louvre trim 1, photographer John Kelsey

Trim #2, below wainscot and decorative wall panel. Visually, it felt like a picture frame floating within another piece of trim.

Louvre trim 1 at base; photographer John Kelsey

Louvre below wainscot; photographer John Kelsey

And the third decorative panel trim above the chair rail.

Louvre panel trim; photographer John Kelsey

The simple chair rail.

Louvre room chair rail; photographer John Kelsey

And amazingly sensuous door jamb.

Louvre door jamb; photographer john Kelsey

Have you noticed how few, if any, true radius curves are used?

Sally and I found these shaped repeated in many variations and forms. Their expression and use was consistent, even though each room was decorated differently, including rooms from different periods.

Let’s take a look, shall we?

Louvre, Sally peaking; photographer John Kelsey

louvre rm 3; photographer John Kelsey

Wainscot detail… Panel trim similar to trim #1 above. Much simpler door jamb. but it retains a sexy curve.

Louvre wainscot detail; photographer John Kelsey

Trim similar to #3 above.

Louvre wainscot detail; photographer John Kelsey

While highly ornamental, the trim hierarchy remains the same.

Louvre wainscot detail; photographer John Kelsey

Shall we take break and grab a snack?

Louvre lunchtime view, photographer John Kelsey

Angelina's at the Louvre; phtographer John Kelsey

Refreshed? Let’s conclude with a few artsy shots that capture the mood.

In no particular order. Winged Victory.

winged victory, photographer John Kelsey

I found myself looking upwards frequently.

molding detail, photographer John Kelsey

Interior courtyard.

Louvre exterior detail; photographer john Kelsey

Crystal chandelier.

Louvre chandelier; Photographer, John Kelsey

Interior courtyard.

Louvre interior courtyard; Photographer John Kelsey

French style eye candy.

French Style eye candy; photographer John Kelsey

Hope you enjoyed and have been inspired by the tour… Next stop Versailles.



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The answer to that childhood riddle was, “When it’s ajar.”

Now it’s so much more.

It seems that more and more, Sally and I are being asked by our clients to design little gems or architectural jewel boxes. The scale can vary from multiple rooms to highly customized projects within a room – such as the concealed/hidden doors I’ve been working on this fall. One is adding a new door in a way that it will blend seamlessly with an adjacent bar. The other we were asked to make two closet doors “disappear” in a living room.

Sally and I were fortunate enough to see several different interpretations/applications of hidden doors during our visit to France last fall. In certain instances, it seems the classical architects of the mid 18th Century did not want doors “messing up” their designs.

Here are two doors cut into the paneling at Petit Trianon. All you see are shadow lines and tiny door knobs. Note the scale and delicacy of the knobs, rosette and hinges. The integrity of the paneling and decorative onlay is preserved.

This door swings out of the room.

Petit Trianon, hidden door;  photographer John Kelsey

This door swings into the room.

hidden door, Petit Trianon; photographer john Kelsey

At Fontainebleau – upholstered wall and wainscot.

Napolean's bedroom, hidden door; photographer John Kelsey

Fontainebleau, hidden door; photographer John Kelsey

And Vaux Le Vicomte. I could get lost in this photo…

hidden door, Vaux le Vicomte; photographer, John Kelsey

let’s wind the tape forward to our contemporaries. My Belgian friends, Lefevre Interiors, are masters of their craft. look closely. The oh so tiny pulls give the concealed panels away.

traditional living room; Lefevre Interiors

A single pull… The person who hung this door is a true artist!

Lefevre Interiors; tradtional French paneling with hidden door

Axel Vervoordt hid a door in a book case, providing access to the office beyond.

Axel Vervoordt, Timeless Interiors; photographer Christian Sarramon

 Several years ago, Wilson Kelsey Design designed a small library in which the cherry paneling hid the all the plumbing shut off valves and electrical panels for a home. (photographer, Michael J Lee)  The panel with the artwork on it swings out, providing access to the utilities behind. Those were interesting details to work though… Pretty cool pocket doors, too!

concealed door in paneling; photographer Michael Lee

Back to this fall’s challenges… First the hidden closets in the living room. I had hoped to use the requirement to create a focal point for the room, pulling it all together, as the room currently lacks focus. The fireplace was existing, with “Gothic” overtones. The client likes French style… Another aspect of the overall project was to open up the wall to the right of the fireplace, connecting the small galley kitchen to the adjacent living/dining area. The new “L” is to the right of the proposed concealed doors and wood paneled mantel surround.

Proposed concealed doors by fireplace; Wilson Kelsey Design

The client didn’t like all the wood trim around the fireplace, but did want to tweak the look of the “L” by adding large corbels from Enkeboll to support the countertop. We designed what looks like built in cabinetry with bookshelves above for the closet doors. Overall not as elegant, but I am content. The closet doors are about 2 ¾” thick.

hidden closet final design, Wilson Kelsey Design

We will be sourcing the book bindings from Original Book Works in England.

faux book bindings, The Original Book Works

Looking at both elevations, if I could combine the mantel surround from the first elevation with the “L” and soffit bracket from the second elevation, I think we’d really be on t something! Save it for another job, John…

Moving on to the seconds hidden door challenge. I needed to design a door between the entrance to a wine cellar and a custom built in bar. There’s just over 36″ of available space. The client didn’t want anyone to know it was a door. I drew 4 options, starting with a simple wood panel solution and worked up to the base cabinet/shelving option. The wine cellar is on the left. The door will swing into the hall behind the bar, so no hardware will be visible. We started out using a standard 6′-8″ door.

sketch 1; Wilson Kelsey Design

sketch 2; Wilson Kelsey Design

sketch 3, Wilson Kelsey Design

sketch 4, Wilson Kelsey Design

The client loved Sketch #4. Working drawings are complete.

outswing concealed door, WIlson Kelsey Design

The job has been priced and the door is in fabrication.

Can’t wait for the Holiday Party in December!!!



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Since our Paris trip, Sally and I have had opportunities to use what we learned and and absorbed in a number of our projects. (Posts can be seen here and here.) We have designed a paneled living room, and a chinoiserie style mud room, a Hall of Mirrors powder room, several hidden doors and pieces of furniture. Today, I will stick with a china cabinet. It was designed for a project in Chestnut Hill. Sadly, the two pieces that were commissioned were not built. So…, if you know any one…

For inspiration, we drew from a hutch we had seen while visiting Petit Trianon. Particularly it’s cabinet doors, fiches hinges and hardware.

Petit Trianon; photographer, John Kelsey

Petit Trianon; photographer, John Kelsey

 And the stepped corners from this display case in the Louvre.

Louvre, display case; photographer John Kelsey

I drew two different sketches. One showing the cabinet in the context of the room setting. The cabinets show the stepped corners. One aspect of the design I was looking at were the esthetics of two doors (left) vs one door (right). The one door solution was selected.

french style cabinet a & b; Wilson Kelsey Design

I then drew larger partial elevations to prove to myself that the stepped corner worked visually and to check it’s proportion.

french style cabinet a & b; Wilson Kelsey Design

The base cabinet door was a raised panel door. The door panel trim on the left wold have been exquisite, but a custom knife needed to be made in order to mill the shape of the trim profile. The cost proved to be too much, so we settled for the style on the right, using a slightly modified panel trim profile I was able to find thru a local cabinet making shop.

With an approved design, I prepared a set of construction drawings, which the cabinet maker used to price the project. If the commission had gone forward, shop drawings would have been produced by the cabinet maker. Shop drawings are important because they provide an opportunity for demonstration of the cabinet maker’s understanding of the designer’s intent. Questions can be asked back and forth, details worked through, etc., such that there is  a clear understanding by all parties as to what the final piece will look like and how it will be built.

You can see that the upper cabinet door was tweaked, giving the piece an updated feel. Yet the idea came from the circle at the top of the Petit Trianon hutch above.

french cabinet construction drawing; Wilson Kelsey Design

This is an example of one of the horizontal detail sections I drew at full scale in order to sort thru the finer points of trim profiles, hinge clearances, etc.

fiche hinge detail, Wilson Kelsey Design

At any rate, since the cabinets were never built, I found myself wondering what if the finish were jazzed up a bit, a la Grange. Not sure exactly how, maybe inside the upper cabinet interior with it’s glass doors? Pop the trim between the base and upper cabinet?

One inspiration idea from a Grange piece Sally and I saw in the Paris Grange showroom window. Liking the high gloss black paint as a finish, too.

Grange Sideboard: photographer John Kelsey

Or possibly a wallpaper theme…

Wall paper and screen; photographer John Kelsey

Any thoughts?



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