American Folk Art

If a person were to ask me to offer an off the cuff phrase describing Sally’s and my style, I would say “classic traditional with an enticing European influence”. Having said that, there’s a piece of me that that will sit right up and say, “Whoa!” when I come across the right modern interior – an interior that uses form, surface, light and shadow to define and shape form, function and volume. Add an exterior that offers up not a clue as to what you are walking into, you have a formula that spells magic. Such is this project – a house with a stone exterior built in 1937 and an interior renovated to feel like a modern gallery in New York City.

Wouldn’t you expect a charming rustic interior?

 

The central fireplace has been reworked as part of an open floor plan.

 

Tucked around the corner… Antique keys.

 

Fantastic!!! A 1769  schrank & 18th century church pew play vs. tuxedo style furniture.
What’s a schrank you ask??? The short answer is it’s an antique wardrode.

 

Love the sweep of the shelves and counterpoint of modern tufting and practical  period furniture.

 

What a compostition – modern island between antique painted chairs and rustic shelves - brilliant!

 

 Look at the different thicknesses of the shelves. Real understanding of scale and weight!

 

 

Cantalevered shelves again. The antique windsor chair looks so alive! Context!!!

 

Saarinen Womb Chair, modern quilt, folded tin sand pipers, antique basket having a conversation.

A singular vision throughout. Beautiful!

 Could you live here?

 All images from Architectural Digest, Architecture by French & Crane and Jeanne Scandura. Interior Design by Lauren Sara.

 

Boston has been without a premiere antiques show for several years. After spending Friday afternoon at the show, I am delighted to report that the problem has been solved with the re-introduction of the Ellis Boston Antiques Show at the Cyclorama! The breadth and depth of exhibitors was fantastic – ranging from 17th/18th Century American and English antiques, to eclectic Mid-Century Modern, to 18th/19th Swedish antiques. It was the perfect way to wind down a busy week. Here’s a representative sample of Sally’s and my favorites.

 A leather chest from Alcocer Anituarios, with shops in Madrid and Boston, with original key and lock.

 

Andrew Spindler of Andrew Spindler Antiques (Essex, MA) has an eye for the beautiful and unusual.

 I am usually not a fan of strong patterns on the floor, but I loved the rug he used to anchor his display.

 

 This Deco Period Dutch chair was unbelievably comfortable. (It felt like it was made of spring steel.)

 

 At the other end of the spectrum was this set of 8 Oriental dining chairs. (Definitely need a glass top dining table!)

 

 How about this wrought iron “demilune” table and mirror above, or the mid 60’s stacking bureaus?

 

The other display I could not tear myself away from was Dawn Hill Antiques from New Preston, Ct., a shop specializing in 18th/19th Century Swedish antiques.

Sally and I loved this pair of bergeres and small plant stand.

 

Everything in her display was exquisite, right down to the accessories.

 

Check out the detail on the Gustavian dining chairs. (Set of 10)

 

I loved the bureau!

 

But the horse was my favorite!

 

At Fiske and Freeman’s booth (Ipswich, MA) I was once again reminded how art and beauty was incorporated into every day objects of this county’s early settlers.

Circa 1780 English or American Brass and Iron Laddle

 

Circa 1825 English Fish Strainer

 

Part 2 – Tomorrow…

Stay tuned…

Cheers,

 

 

 

 

Well, here we are, March 21st has come and gone. Spring has supposedly sprang. And yes, last night it snowed… (Somehow the Ides of March snuck right past me, too.) This time of year, our New England weather seems to change on a whim, and with it, the direction of the wind. Sultry, tantalizing southerly breezes with 70-degree temperatures seemingly can change in a matter of moments to a salty Nor’easter carrying wind, rain and snow. (like last night…) Growing up in upstate New York, I used to look to the weather vane sitting high atop our neighbor’s barn for clues as to the twists and turns of spring’s fickle weather. Two centuries ago, I’m sure my hardy New England ancestors did the same.

The early weathervanes of Europe came in two basic forms: the crowing cock and the English heraldic banner. Typically, the crowing cock could be found atop European churches, symbolizing Peter’s denial of Christ, while the heraldic banner was derived from the banners that fluttered in the breezes over English castles, later evolving into a flag or arrow shaped weather vane. In New England, these two forms were quickly eclipsed by the creative energy of its settlers by ships, cows, pigs, horses and even Massachusetts own fabled Cod.

All of which leads to some very delicious possibilities for a decorative over mantel piece in an antique colonial hearth room or home. (Along with some other possibilities… Sally ‘s got her ‘groove on’ and her idea cauldron is bubbling…)

I loved the Folk Art character of this one.

Peacock Weathervane, probably Pennsylvania circa 1800; Image courtesy Skinner Inc.

Very sophisticated!

Banner Weathervane, Plymouth, MA, circa 1800; Image courtesy Skinner Inc.

This is similar to the weathervane that sat atop my neighbor’s barn.

Cow Weathervane, late 19th-century, Waltham, MA; Image courtesy Skinner Inc.

Gorgeous!!!

A Vaulting Horse, mid 1800's, Waltham, MA; image courtesy Skinner, Inc.

Funky…

Centaur and Unicorn, mid 1800's, image courtesy of Heritage Museums & Gardens, Sandwich, MA

What would this post be without Massachusetts state fish!

Codfish Weathervane, late 1800's, image from Kocian Depasqua